I loaded a wave file, 108 mb 80 minute Dj set, did command m to place the 14 markers at the song regions. CREATION, PRODUCTION, OR DELIVERY OF THE SOFTWARE SHALL BE LIABLE. I am making the move from wavelab on my PC to using my G4. Bottom line, we all know the conclusion, the basic Idea is this, you'll never attenuate the noise floor with digital attenuation, it will stay fixed, you can just bring the content closer to it. NEITHER THE AUTHOR NOR ANYONE ELSE WHO HAS BEEN INVOLVED WITH THE. Analog volume control are useful gain switches too, sometimes it's the right thing to do.Įdit: yes, after reading, the statement is true, even 50 dB attenuation beats the dynamic range of the best amps, but the problem is than there are plenty of situations that you can only use a small fraction of that dynamic range. Generally matches the conclusions of other papers I have seen about digital volume controls.Ĭlick to expand.Yes, that's assuming optimal gain structure, I admit I didn't fully read yet, but there are definitely use cases where huge digital attenuation followed by high gain will deliver audible hiss, when you have 100 steps of digital volume and you find that it's already too loud at 10%, can't be good, The problem is not the digital volume so much, if you have no other way to control it's a problem, and yes, the main thing is that sensitivity of earphones/headphones are litterally all over the place. My recommendation: Use DSP Volume whenever possible.[/QUOTE I use DSPQ for every other type of audio file work. I do have to do it, I actually use Studio One v3. The thermal noise of a potentiometer or an analogue ladder attenuator will be much higher than the -178dB the DSP volume control of Roon delivers. Does anyone have any opinions on these two pieces of software. No analogue volume control in the word can deliver these results. My conclusion is that there is nothing at all to worry about DSP volume in the Roon Bridge. The dither is very well done with a completely flat response. No other issues like intermodulation artefacts between the two frequencies or other distortions have been found. Delay with cross-feed and icicles effects Reverb with volume and pitch. This means that even at volumes down to -50dB the dynamic at the output is higher as the signal to noise ratio of the best DACs and power amplifiers. Of course dougdarkglass and everyone at neuraldsp for their incredibly. The noise floor remains at -178dB, regardless of which attenuation is set for the DSP volume. Ive checked the hardware volume buttons, pavucontrol, and alsamixer. The DSP volume control inside the Roon Bridge is as perfect as can be. For those who are time-poor, from the paper:
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